adelabravo@nofourthwall.com

Adela Bravo Sauras is the artistic director from NoFourthWall. She has been the director of “Lorca was a Doppelgänger”, “Pop quiz, almost an octet”, “What are you doing after the orgy?” , “Metalogues”, “In a whale´s jaw”, “36, a plot´s kermesse”, “Easywhy, I think too much therefore I am sick”, “Peep now, chosen loneliness”, “Lux Páramo”,  “Ipsagon”, “My hands. My mother´s” and the co-director of “No exit”. She has also performed in “My hands. My mother´s”, “Ipsagon”, “Easywhy, I think too much therefore I am sick”, “In a whale´s jaw”, “Metalogues”, “Lorca was a Doppelgänger” and “No exit”. Together with Anja Stachelscheid, they have built the installations.

She has also done the Installation Design and construction from the Milano Game Festival for the XXI Esposizione Internazionale della Triennale di Milano commissioned by the Italian Indie Games Studio Santa Ragione and the Immersive setting from Orbis Tertius in the Aufbau-Haus on the Moritzplatz in Berlin by the choreographer Matteo Graziano. She has directed “Voy a cuidarte” and “Fuck you Adrian” for the New York company Pop Up Theatrics.

She has an architect degree from the Escuela Técnica Superior de Arquitectura de Madrid and an MA in Applied Theatre sciences at the Institut für Angewandte Theaterwissenschaft (Justus-Liebig Universität, Giessen, Germany). In April 2020 she is presenting her Doctoral Thesis at the Universität der Künste Berlin with the title ”The Architectonic turn in theatre and the changes that theatre mechanisms produced in the architectural reality in the western world from 1968 to the present times“ that she started thanks to a postgraduate scholarship. She belongs to the Rivas Cherif Laboratory from the National Dramatic Center in Spain as director and scenographer.

She has worked as an architect and has done theatre and film direction, installation, stage design, concept work, dramaturgy and text selection and adaptation, translation and production in NoFourthWall or in collaboration with others: Thomas Bo Nilsson at Schaubühne Berlin and Schauspielhaus Vienna; The Agency at Volksbühne ́s Roter Salon, Münchner Kammerspiele, Sophiensäle, FFT Düsseldorf; Chicks Kollektiv at Impulse Festival; Italian Embassy in Berlin for Diego Cibelli; Circle Line at the Rotonda sul mare by Marcello Smarrelli; Gustavo Tambascio at Teatro de la Zarzuela Madrid; La Fura dels Baus; Sanja Ristic, Roxy Theater, Amsterdam Fringe Festival, Tacheless, Basel Roxy Theater; Nieto & Sobejano Berlin; European Architecture and Urbanism congress EURAU; Master Collective Housing ETSAM; Wilk-Salinas Architekten; HONG Architekten Projekt-Management GmbH and Aescht & Berthold Architekten among others.

She has been a speaker for the International Federation for Theatre Research (IFTR) World Congress since 2015 in“Theatre and Migration: Theatre, Nation and Identity: Between Migration and Stasis”, Faculty of Dramatic Arts, University of Arts, Belgrade, Serbia; “Unstable Geographies: Multiple Theatricalities”, Department of Performing Arts of the School of Communication and Arts, University of São Paulo, Brazil; “Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices”, Stockholm University, Sweden and “Theatre and Democracy “, Department of Theatre Arts of Sarojini Naidu School of Arts and Communication, Gachibowli, University of Hyderabad, India.

She has written articles for Contemporary Theatre Review, Routledge; Association for Architectural Aesthetics Zeitung, 6th Annual Doctoral Colloquium Architectural Aesthetics, Building Composition & City Design, Dresden; “Ho perso il pallone”, CL Projekt among others.

She started theatre direction in the Real Escuela Superior de Arte Dramático de Madrid and has learned from Heiner Goebbels, Antonio Miranda, Anna Viebrock, Bojana Kunst, Gerald Siegmund, Robin Arthur (Forced Entertainment), Kris Verdonck, Tuija Kokkonen, Philip Bussmann (Forsythe), Eva Holling, Martina Ruhsam, Kai van Eikels, European Michael Chekhov Workshop, Jaroslaw Wielski, Socorro Anadón, Zywila Pietrzak, Cristina Rota. Nuevo repertorio, and Sala Cuarta Pared, Familie Flöz and Suzuki-Viewpoints among others.

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anjastachelscheid@nofourthwall.com

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su@susannemeyer.net

She has played in “No Exit”, “Pop quiz, almost an octet”, “What are you doing after the orgy?”, “Metalogs”, “Winterreise”, “Easywhy, I think too much therefore I am sick”, “Peep now, chosen loneliness” and “My hands. My mother´s” ´s film.

www.susannemeyer.net

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brunotambascio@gmail.com

www.brunotambascio.com

Bruno Tambascio has a degree in Recorder Flute and Early Music by Real Conservatorio Superior de Música de Madrid under his belt, and holding an additional degree in Musical Education by Universidad Autónoma, his studies have included subjects such as harmony,
counterpoint and composition, plus instrumental specializations in guitar, flute and piano.Since year 2000 he has played in shows such as The Merry Wives of Windsor, Le Bourgeois Gentilhomme, Zorba the Greek and Querellas Ante el Dios Amor, which toured throughout Spain and parts of South America. Simoultaneously, he has worked as Stage Manager and Maestro Interno at the spanish main opera houses, Gran Teatro del Liceu (Barcelona), and Teatro Real (Madrid), In 2004, he began to receive professional orders as a musical composer. It is at that time that he composed songs for the theater play In Love But Discreet, by Lope de Vega (Festival de Teatro Clásico de Almagro/ SMU, Dallas). He then composed for Antonio García Gutiérrez's El Trovador. Next he wrote and showcased his own original piece of musical theater: Ludwig, The Swan King; a one man show backed by a vocal chorus and an instrumental quintet. In 2010 he composed the soundtrack for a stage version of Frankenstein, which toured Spain and Italy, and premiered in Teatros del Canal (Madrid). Later on, the production company Kung Fusion Events entrusted him to compose Madre Tierra, a musical show for children.As an audiovisual composer, he scored soundtracks for short films such as El Regalo (selected by numerous European festivals), and De Qué Tienes Miedo, Best Documentary Short Film Award winner at "Cinemobile" festival (Sevilla) and at "Quartmetrages" (Valencia). He then touched on the world of advertising, and composed the soundtrack for the "Making Of " of the Access All Areas campaign for AMG-Mercedes Benz in China. He also composed the musical soundtrack for the video game trailer of Orc Attack, winner of the Audience's Award at the renowned Indie Showcase in Brighton.Later he composed the original soundtrack for the documentary film Where is home? by Nutopia, which premiered in summer 2012 on National Television (Canada)..At the end of 2012 and the beginning of 2013, living in Berlin, he participates with the project Berlin con mucho arte running a series of experimental concerts for their venue, Kleiner Salon. He also joins the theater troupe NoFourthWall as a composer, creating and performing on stage the music for two of their
shows, Easywhy and Lux Páramo, premiered in Berlin and Frankfurt, respectively. As a part of his stay in Germany, he elaborated as well music for the dancing project Multiverse, for the showcase Upcoming Choreographers, in Mainz.

On September 2013, he gets back to Madrid to compose the big scale musical Pinocchio, premiered in Palacio de Congresos (Sevilla), on December 6th, 2013, and still touring throughout Spain. In 2014 he began to collaborate as an arranger for the Big Band of the prestigious Humboldt Universität of Berlin. In September of that very year, he composed and directed the music for the theater play El loco de los balcones from peruvian Nobel prize Mario Vargas Llosa, premiering at Teatro Español de Madrid with José Sacristán as leading actor, and obtaining universal claim from both audience and critics.
His last work to the date was the musical direction for Sondheim’s A funny thing happened on the way to the forum on the International Festival Veranos de la Villa 2015, where he conducted a 19 musicians orchestra in a show with 21 performers on stage, including singers, actors and dancers.

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bettyblue13@gmx.de

Ida Sons played in „Lorca was a Doppelgänger“, „Pop quiz, almost an octet” in Berlin, Frankfurt and danced in „Metalogues”. „Syno“ was directed by her.

She was born close to Dortmund where she started playing theatre. In Hamburg she has worked as a costume designer and actress in theatre productions and short films. After a theatre program in Nothern Ontario Canada, she moved to the Netherlands. At the ‘Amsterdamse Hogeschool voor de Kunsten’ she developed her theatre and mime skills. Then she worked as a dancer and actress in the Netherlands and Germany. In 2009 she graduated her BA in cultural and theatre studies at the university of Utrecht and ‘Freie Universität Berlin’. In Berlin she first started to work with No Fourth Wall. Currently Ida is attending the Master course Scenic Arts Practice at the ‘Hochschule der Künste Bern’.

Ida Sons works as an actress, performer and writes her own plays. Within her own work she always tries to integrate different disciplines like theatre, dance, mime and visual arts.

Performance work with Ivo Dimchev, Suzana Richle, Heinrich Lüber (CH), Big Art Group (USA), Theatre work with Jürgen Kruse (DEU), Lorentine van Tijn (NL), Lukas Bangarter (CH), Dancer at Festival aan de werf, Roos van Geffen (NL)

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